Post by Icefanatic on Jun 15, 2015 21:40:38 GMT -5
"As for story potential. Once Young Iceman comes to terms with his sexuality, and that story is played out, I expect Marvel won't know what to do with him anymore than they know what to do with their other LGBTQ characters. They know how to tell a (bad) coming out story and how to do PR stunts(Northstar's wedding), but generally for the most part don't have a clue how to use their LGBTQ characters."
I think that's less not knowing what to do with the characters, and more to do with too few writers and editors interested in the characters. They all want to use the big characters - all created before homosexuality was invented in 1991 - and a couple of personal favourites, mostly straight. Jason Aaron could've given Anole a big push in Wolverine and the X-Men, but he didn't give a damn about Anole. Brian Wood had an ongoing subplot involving Bling! during his X-Men run, but it wasn't continued after he left. Young Avengers, especially the Gillen/McKelvie run, had a very strong emphasis on the same-sex relationship of Wiccan and Hulkling, but Marvel's held off on doing another volume, either because no writers have had good pitches or because editorial isn't interested right now.
So it's not that they don't know what to do, it's that they're just not interested in doing it. I mean, it's not like it's actually that tough to figure out what to do with the characters. It's just a matter of using them in stories. Tell the best stories they can, but instead of a straight character, use a gay character. It's not as complicated as people like to make it out to be. "Is Nightcrawler really integral to this story, or can his role be filled by Anole, instead?"
The other option would be to give us back our New X-Men book, Marvel, you bastards.
The bolded part is what I mean by Marvel not knowing what to do with them. There was an episode of the TV series Blackish where the main character who works at an ad agency and happens to be black was asked by a white coworker for help with an ad. He wanted to know how a black man would say "good morning". The black coworker's response: "Um, good morning?"
I made the comment once at CBR that I had a hard time relating to and identifying with a lot of gay characters. I got a response from a gay poster asking if I understood how, as a gay man, that offended him. I explained I didn't have a problem relating to and identifying with gay people, but gay characters, at least in a lot of popular fiction, are frequently written as either a stereotype bordering on caricature, a walking issue-laden after school special, or some combination of the two. And when their sexuality is addressed, it is often done in a way that feels forced and contrived, making the character seem almost artificial(that has all improved somewhat in the years since I said that, but there is still a long way to go). While the thread descended into arguing, I had a nice series of exchanges with that poster in PM. He said I pretty much nailed the reasons why a lot of gay people have a hard time relating to and identifying with a lot of gay characters.
Instead of characters who happen to be gay, quintessential "gay characters" are what a lot of comic but writers and editors are comfortable with and understand. The after school special/very special episode bit. That's why an LGBTQ writer came on for an issue to tell an Anole-centric story about acceptance in Amazing X-Men. That's why Bendis did a "very special issue" focusing on Benjamin Deeds in Uncanny X-Men.
Kyle had made all of two appearances before Marvel decided they wanted to do a 'gay wedding' issue with him an Northstar to capitalize on current events. After Astonishing X-Men's cancellation, he's made one appearance, at Deadpool's wedding. There's little indication Northstar is even married. Even with Young Iceman. Forty-one issues with him doing nothing but standing in the background telling jokes while the other characters got story-lines. And when he finally gets some focus, it's a 'coming out' story, and he didn't even get to do that, Jeen did it for him. They think of gay characters when they want to tell a 'gay story', and that's about it.
It's a problem for Marvel. They are getting praise for creating all-female team books and racial-minority team books, but the reality is there is a need for them because the only way to get their writers and editors to move their myopic focus off of straight white male characters is to remove them from the books. Even plenty of straight white males get short shrift because they aren't part of the small handful of characters that seem to dominate most of the books in recent years, and it didn't use to be like that. Team books were ensemble books, and places where women and minorities got to shine more than they did in solos, especially in books like X-Men. Now team books are star vehicles for a few with the rest usually reduced to supporting cast. And since the chosen few also mostly happen to be straight and white and male, not only do we get a myopic focus on a few characters until people are all but sick of them, but we get marginalization of diversity, not only in the characters used, but in representation of women and racial and sexual minorities as a consequence of overuse of those few characters.